Top 2. 0 Best Horror Movies Of 2. Let’s take a look at the biggest and best horror movies of 2. The scary list features the usual mix of follow ups (Paranormal Activity 3), redos (Fright Night), and original fare (Insidious). Quite honestly it’s not been a great year for the genre but I’ll help you find the handful of stuff worth watching. We’ll go through the good and the bad. Here’s our definitive guide to the best horror movies, 2. JANUARY –Season Of The Witch. ![]() ![]() Watch Horror movies online at BoxTV.com. Browse your favorite movies in Horror Genre (Movie listings sorted by movie genre). Every Horror Movie and Films you might be. Top grossing movies by letter and by year. The table below lists the top-grossing movie released in each calendar year. Get your horror fix at Fandango with everything thrilling. Find the latest horror movie showtimes, reviews, tickets + more. An anthology which tells five terrifying tales based on the E.C. IMDb editors highlight the stories, faces, and the new look for Jeff Goldblum that had us buzzing this week. Check out our picks from the week. Torrent anonymously with torrshield encrypted vpn pay with bitcoin. Release Date: 7 January 2. U. S.). Starring: Nicolas Cage, Ron Perlman, Stephen Graham, Christopher Lee. Director: Dominic Sena. Find movies opening in theaters near you. Sort by critic rating, get movie times, buy tickets, and watch trailers and interviews. Get local movie showtimes and buy movie tickets for your favourite Cineplex theatre. Top-Grossing Movies of 2015. Note: This chart ranks movies by the amount they earned during 2015. It includes movies released in previous years that earned money. Not the long awaited remake of Halloween III, this period horror sees Nicolas Cage as a medieval knight who agrees to transport a devious witch to an abbey where her powers can be destroyed. Even though he’s playing a Crusader, Cage is sporting an American accent. Expect more of such silliness from director- of- the- ridiculous Dominic Sena (Swordfish, Gone In 6. Seconds). The movie has an old- school Hammer Horror vibe which could lead to unintentional laughs but at least it feels kinda different thanks to its unusual concept. The two go on a series of exorcism adventures, that will no doubt involve scenes copied from other exorcist movies. Hopkins has been on low- effort cruise control for years. The director helmed the excellent 1. The Rite is mediocre. Christiansen. Sara (Kelly) is a college student randomly assigned to a freshman dorm with a stranger named Rebecca (Meester). They start off as friends but things turn deadly as Rebecca becomes obsessed with Sara and begins to target people in her life. So this is basically a remake of Single White Female, with less edge. The director has no real experience in the thriller/horror genre. Has bland written all over it. A band of brothers are on a quest to hunt down a necromancer, rumoured to have made a pact with the forces of darkness and raised the dead in a small village. From the British director of Creep and Severance. Black Death has already been released in the UK where critics gave it an impressive 7. Rotten Tomatoes, calling it a well- acted, twisty Gothic horror, with grisliness that’s a tad too over the top. Swank plays a doctor who moves to a, er, swanky apartment in Brooklyn only to slowly realise that the landlord (Morgan) is developing a dangerous obsession with her. A terrifying game of cat and mouse ensues as she fights to rid herself of his sinister intentions. The plot doesn’t read like a Hammer Horror movie at all. It’s clearly just a brand name that was bought by the highest bidder. A small group of survivors gather in an abandoned tavern, where they realise the darkness itself is out to get them and only the diminishing light sources can keep them safe. Director Brad Anderson (Session 9, The Machinist, Transsiberian) makes thoughtful, suspenseful horror/thrillers. He’s the reason to be excited about this. Except advance buzz, again, isn’t very good. Horror film - Wikipedia. A famous scene from the 1. German horror film Nosferatu. A horror film is a movie that seeks to elicit a physiological reaction, such as an elevated heartbeat, through the use of fear and shocking one’s audiences. Inspired by literature from authors like Edgar Allan Poe, Bram Stoker, and Mary Shelley, horror films have existed for more than a century. The macabre and the supernatural are frequent themes. Horror may also overlap with the fantasy, supernatural fiction and thriller genres. Horror films often deal with viewers' nightmares, fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage into the everyday world. Prevalent elements include ghosts, extraterrestrials, vampires, werewolves, demons, satanism, gore, torture, vicious animals, evil witches, monsters, zombies, cannibals, psychopaths, natural or man- made disasters, and serial killers. The Cave of the Demons, literally . In 1. 90. 8, Selig Polyscope Company produced Dr. Paul Wegener's The Student of Prague (1. The Golem trilogy (1. Robert Wiene's The Cabinet of Dr. Caligari (1. 92. 0), Arthur Robison's Warning Shadows (1. Paul Leni's Waxworks (1. The first vampire- themed movie, Nosferatu (1. Bram Stoker's Dracula. Other European countries also, contributed to the genre during this period. Some notable examples include The Hunchback of Notre Dame (1. The Phantom of the Opera (1. The Cat and the Canary (1. The Unknown (1. 92. The Man Who Laughs (1. Many of these early films were considered dark melodramas because of their stock characters and emotion- heavy plots that focused on romance, violence, suspense, and sentimentality. Directors known for relying on macabre in their films during the 1. Maurice Tourneur, Rex Ingram, and Tod Browning. Ingram's The Magician (1. Tod Browning's Dracula (1. James Whale's Frankenstein (1. The Old Dark House (1. Some of these films blended science fiction with Gothic horror, such as Whale's The Invisible Man (1. German films. Frankenstein was the first in a series of remakes which lasted for years. The Mummy (1. 93. Egyptology as a theme; Make- up artist. Jack Pierce was responsible for the iconic image of the monster, and others in the series. Universal's horror cycle continued into the 1. B- movies including The Wolf Man (1. The once controversial Freaks (1. Hyde (Paramount, 1. Jekyll's transformation before the camera. Both appeared in three of Val Lewton's atmospheric B- movies for RKO in the mid- 1. The Body Snatcher (1. Two subgenres began to emerge: the Doomsday film and the Demonic film. Japan's experience with Hiroshima and Nagasaki bore the well- known Godzilla (1. Hollywood directors and producers found ample opportunity for audience exploitation through gimmicks. House of Wax (1. 95. D film to draw audiences, while The Tingler used electric seat buzzers in 1. Filmmakers continued to merge elements of science fiction and horror over the following decades. The film conveyed the fears of living in the Atomic Age and the terror of social alienation. During the later 1. Great Britain emerged, as a major producer of . The Hammer company focused on the genre for the first time, enjoying huge international success from films involving classic horror characters which were shown in color for the first time. Drawing on Universal's precedent, many films produced were Frankenstein and Dracula remakes, both followed by many sequels. Other British companies contributed to a boom in horror film production in the UK during the 1. Peeping Tom (1. 96. France continued the mad scientist theme, while Italian horror films became internationally notable. American International Pictures (AIP) made a series of Edgar Allan Poe–themed films. Films in the era used the supernatural premise to express the horror of the demonic. The Innocents (1. Henry James novel The Turn of the Screw. Meanwhile, ghosts were a dominant theme in Japanese horror, in such films as Kwaidan, Onibaba (both 1. Kuroneko (1. 96. 8). An influential American horror film of this period was George A. Romero's Night of the Living Dead (1. Produced and directed by Romero on a budget of $1. An Armageddon film about zombies, it began to combine psychological insights with gore. Distancing the era from earlier gothic trends, late 6. Low- budget splatter films from the likes of Herschell Gordon Lewis also gained prominence. The Exorcist (1. 97. Robert Wise's film Audrey Rose (1. Alice, Sweet Alice (1. Catholic- themed horror slasher about a little girl's murder and her sister being the prime suspect. Another popular occult horror movie was The Omen (1. Antichrist. Invincible to human intervention, Demons became villains in many horror films with a postmodern style and a dystopian worldview. Another example is The Sentinel (1. Hell. The film includes seasoned actors such as Ava Gardner, Burgess Meredith, and Eli Wallach and such future stars as Christopher Walken and Jeff Goldblum. During the 1. 97. Italian filmmakers Mario Bava, Riccardo Freda, Antonio Margheriti, and Dario Argento developed giallo horror films that became classics and influenced the genre in other countries. Representative films include: Black Sunday, Blood and Black Lace, Castle of Blood, Twitch of the Death Nerve, The Bird with the Crystal Plumage, Deep Red, and Suspiria. The ideas of the 1. Wes Craven's The Hills Have Eyes (1. Tobe Hooper's The Texas Chain Saw Massacre (1. Romero satirized the consumer society in his zombie sequel, Dawn of the Dead (1. Canadian director David Cronenberg featured the . Next, was his third published novel, The Shining (1. Stanley Kubrick, which was a sleeper at the box office. This psychological horror film has a variety of themes; . This film is an example of how Hollywood's idea of horror started to evolve. Murder and violence were no longer the main themes of horror films. During the 7. 0s and 8. Another classic Hollywood horror film is Tobe Hooper's Poltergeist. Poltergeist is ranked the 2. Chicago Film Critics Association. Both films, The Shining and Poltergeist, involve horror being based on real- estate values. The evil and horror throughout the films come from where the movies are taking place. In The Shining, Danny Torrance (the child in the film) can sense supernatural forces. This is because the hotel where the film takes place was once a burial ground for a Native American Indian tribe. This is very similar to the film, Poltergeist. Carol Anne, who is the five- year- old child, can sense the supernatural spirits that have taken over her house. These bizarre spirits come from the graveyard, which the house is built on. Both films are an example of the evolution of Hollywood horror films. However, the film is now known as one of Hollywood's most classic horror films. Carrie became the 9th highest- grossing film of 1. King himself did not like The Shining, because it wasn't very faithful to the 1. A cycle of slasher films was made during the 1. John Carpenter created Halloween (1. Sean Cunningham made Friday the 1. Wes Craven directed A Nightmare on Elm Street (1. Clive Barker made Hellraiser (1. This subgenre would be mined by dozens of increasingly violent movies throughout the subsequent decades, and Halloween became a successful independent film. Another notable '7. Bob Clark's Black Christmas (1. The boom in slasher films provided enough material for numerous comedic spoofs of the genre including Saturday the 1. Student Bodies (1. National Lampoon's Class Reunion (1. Hysterical (1. 98. Steven Spielberg's Jaws (1. Orca (1. 97. 7) and Up from the Depths (1. Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big- budget Hollywood film. John Carpenter's 1. The Thing was also a mix of horror and sci- fi, but it was neither a box- office nor critical hit, but soon became a cult classic. However, nearly 2. The 1. 98. 0s saw a wave of gory . A significant example is Sam Raimi's Evil Dead movies, which were low- budget gorefests but had a very original plotline which was later praised by critics. Other horror film examples include cult vampire classics such as Fright Night (1. The Lost Boys (1. Near Dark (also 1. In 1. 98. 4, Joe Dante's seminal monster comedy Gremlins became a box office hit with critics and audiences, and inspired a trend of . The slasher films A Nightmare on Elm Street, Friday the 1. Halloween and Child's Play all saw sequels in the 1. Wes Craven's New Nightmare (1. Silence of the Lambs (1. New Nightmare, with In the Mouth of Madness (1. The Dark Half (1. Candyman (1. 99. 2), were part of a mini- movement of self- reflexive or metafictional horror films. Each film touched upon the relationship between fictional horror and real- world horror. Candyman, for example, examined the link between an invented urban legend and the realistic horror of the racism that produced its villain. In the Mouth of Madness took a more literal approach, as its protagonist actually hopped from the real world into a novel created by the madman he was hired to track down. This reflective style became more overt and ironic with the arrival of Scream (1. In Interview with the Vampire (1. The horror movie soon continued its search for new and effective frights. In 1. 98. 5's novel The Vampire Lestat by author Anne Rice (who penned Interview..'s screenplay and the 1. Lestat inspired and nurtured the Grand Guignol style and theatre. Two main problems pushed horror backward during this period: firstly, the horror genre wore itself out with the proliferation of nonstop slasher and gore films in the eighties. Secondly, the adolescent audience which feasted on the blood and morbidity of the previous decade grew up, and the replacement audience for films of an imaginative nature were being captured instead by the explosion of science- fiction and fantasy films, courtesy of the special effects possibilities with advances made in computer- generated imagery. Peter Jackson's Braindead (1. Dead Alive in the U.
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